KIAI Instructor Interview--Luzius Dominic Schaerer
This article the latest in a continuing series of interviews with the various Instructors within KIAI
KIAI: How old
were you when you start training in the martial arts, and what made you start?
Luzius: I was 13 years old. My love for the martial arts started back when I was 7 after seeing a documentary on television about the samurai and believe it or not, it was also after seeing my first martial arts movie starring Sho Kosugi (corny I know, but true).
KIAI: What
made you start practicing sword arts?
Luzius: Actually that was what caught my eye when I was young and the sword arts of the samurai are what fueled my love of the martial arts.
KIAI: Did you
ever have the chance of actually using your martial arts--especially your sword
art?
Luzius:
I have used my training on almost a daily basis since I was nineteen, this was
a result of my chosen line of work in nightclub security (the more crude term
is bouncer) which I have done now for more than 16 years. This also included
my sword training (in more of an unarmed fashion).
KIAI: Are you
a full time instructor, if so, what are the benefits and challenges?
Luzius: Yes I am a full time instructor, the benefits of teaching I find are that it constantly forces me to strive to perfect my techniques and the challenges I find are passing on all the small nuances of technique and skill to newer students.
KIAI: If you
had the chance to start all over again, would you choose to pursue the martial
arts?
Luzius:
KIAI: How many
times per week do you train?
Luzius:
KIAI: What do
you think of under age (juvenile) black belts?
Luzius: My personal opinion is that there should be a minimum age for black belts, as the rank should not only reflect technical ability as well as maturity.
KIAI: What is your opinion of competitive (sport) martial arts?
Luzius:
KIAI: Do you think the general public is misled about the ability
and practicality of budo due to the media’s portrayal of martial arts and
martial arts entertainers?
Luzius:
KIAI: Do you think events like the “UFC,” etc. hurt or help
martial arts?
Luzius:
KIAI:
Do you think the non-tangible benefits of budo like self-confidence, self-relLuziusce, self-respect, discipline, leadership, maturity, etc. are as
important to young budoka as the physical ability to defeat or control another
person in today’s sometimes deteriorating contemporary society?
Luzius: As it was then it is the same today, these qualities are actually more important than knowing a lot of technique as a self-confident budoka will know when to attack and when to retreat.
KIAI: Where are martial arts, in general, heading?
Luzius: Traditional martial arts seem to be fading, and giving way to "martial arts as a fitness program" such as tae bo and the such. I see a lot who are into the arts for prestige or money and these people have lost the true essence of martial arts as a path to enlightenment.
KIAI: What, in your opinion, is the greatest detriment to the
martial arts?
Luzius: Money and politics. To many "wannabe" instructors think the martial arts are a great means of financial success as well as there is far too much "my system is better than your system" amongst the different styles.
KIAI: In your
opinion, what is the ideal age to start martial arts training?
Luzius: As young as possible, I believe the martial arts are a great way to teach discipline and build character.
KIAI: What is
your favorite part of training in Japanese swordsmanship?
Luzius: I enjoy all aspects of training; I find there are so many areas that are overlooked that I enjoy exploring. I find that even now after so many years there is still so much I have yet to learn, and this is what makes training so enjoyable, for no matter what you think you know, there is always new ways to approach it.
KIAI: What are
your opinions and thoughts regarding tameshigiri, and do you practice it?
Luzius:
KIAI: What do
you think of kendo’s “armored philosophy” versus chanbara’s “padded
way”?
Luzius: Again, from
a traditional point of view I feel training in armor teaches students how sword
combat worked in the old days, that you couldn't just swing a sword against
an armored warrior and strike him down. Chanbara allows students to go "full
tilt" in sword training without the need to constantly being distracted
by having to worry about the possibility of injuring your uke.
KIAI: Do you
own an authentic Japanese made shinken, if so, how does it compare to the modern
shinken sold today?
Luzius:
KIAI: What do
you think of the many modern martial art systems that are trying to copy the
ancient ryuha?
Luzius: I feel that even new systems have something to offer, and copying older ryuha would be a good place to start as these schools have had the chance to test in real situations the techniques where in today's society this is difficult to do without going out and injuring people. Look at aikido, a modern system based on traditional ryuha. I also feel instructors of "new" systems should have a minimum of years of training in traditional martial arts before teaching or forming a new style.
KIAI: Do you
think it is necessary to have at least a basic understanding of the native
language and culture of the country of origin for the martial art(s) you train
in?
KIAI: Luzius, thank you for taking the time to share some of your vast knowledge and experience, we wish you the best in your on-going Budo training.