ARTICLES
If you have any article
regarding Japanese sword arts and budo arts in general
(training tips, discussions,
assays, historical overviews, etc.), please send it over.
KIAI is made for instructors
to exchange their knowledge and experiences.
IT COULD HAPPEN ...
Everyone around my area knows I am into japanese swords and sword arts.
One day a man comes in, he is a friend of a man who once took classes with
me and heard I knew about that "jap stuff". He tells me his grandfather
brought back a bunch of stuff from WW2 and he's got it all in the back
of his pickup truck. We go to look and what I see amazes me. Among the
paintings, dishes and dolls is a stack of swords (shingunto and katana
and yari).
He lets me bring them in and we spread them out on the mats. There are
ten swords and four yari. (enclosed are scanned photo's of three of the
swords and one of the yari.) There is no telling how long these peices
stayed in the back of this man's truck, but what I ended up with is
1.One Tachi dated 1200-1500(blade pictured
- photo # 1),
2. One O-tanto by a smith named Tsunyoshi
dated 1327,
3. One very long wakizashi dated 1666 and
made by a Kunisada.
4. One wakizashi made by cutting down a naginata
tang and mounting as a sword (blade pictured - photo # 2).
5. One Tachi made in 1800 by a student of
a sword school (pictured - photo # 3).
6. One Shira-saya Tanto marked "kouneyoshi
old sword".
7. One Yari dated 1600 made for the "Fujiwara"
clan (blade pictured - photo # 4).
8. One yari marked "war 206"
9. One very long yari (about 13 inch blade).
10. One wakizashi in "aikuchi" type mounts
(no tsuba) dated 1700's.
11. One very short Yari (about 4 inch blade).
12. One Tanto with the tsuba mounted to the
saya (I have never seen this type of mounting before and cannot find it
mentioned anywhere).
I explained to him that I could not pay collector's prices but made him
a meager offer anyway and I was suprised that he accepted. I aquired all
the above mentioned weapons as well as two shingunto (one officers model
and one enlisted mans model), for about the cost of one shingunto on e-bay.
I contacted the police to see if any swords had been reported stolen and
was very pleased when they confirmed that they had no reports of stolen
antiques or swords of any kind. That was two years ago and these weapons
still reside in my collection. Call it luck or fate or whatever you like,
but let word get out that you are serious about japanese budo and some
one might come to you with something of no value to them and priceless
to you. Just thought I would share this with my budo brothers at KIAI.
If anyone out there knows about a type of blade mounting that mounts the
tsuba to
the saya and not the tsuka, please let me
know at bushey@nts-online.net.
Arigato Gozaimasu,
Walt Bushey
We Have Come Of Age
By Philip S. Porter,
Judo kudan, President of USMA , one of
two single white judo kudans alive:
" (...) The biggest battle we we had in former
years was getting our teachers up to the rank they deserve. In some cases,
especially Judo, American customs for promotions are totally unlike in
homeland of judo, japan. In japan, when i started judo in 1951, there were
2,700 Judo 6th Degree Black belts UNDER THE AGE OF 30! The custom in japan
was that every teacher should hold teacher's rank, which is 6th or 7th
degree black belt. In America, it is not unusual for a teacher who has
been training and teaching Judo for 30 years to be a 2nd or 3rd degree
black belt. This is truly ridiculous and distressing situation. (...) American
Martial arts are famous throughout the world for being subservient to Far
Eastern teachers. This situation has been commercially exploited for years.
Often, Oriental Martial Arts teacher receive what we call "airplane promotions":
They climb on a plane in the Far East as 3rd degrees, and land in America
as 6th degrees. The fact is that we have leaders in this country in many
Martial Arts who have worked harder, studied more and know more, after
40 or 45 years of training, than foreigners who have very high rank after
only 25 years in training. We respect all Martial Artists, the world over.
But we accept domination from no one. We have come of age, period. (...)"
I asked our member from
Sweden, sensei Johan Pettersson, to describe their syllabus. Here's what
he sent:
Swedish way
This will be little difficult because all syllabus
are in swedish. But I will try to describe it for you. In Gake Dojo we
train some different arts, wich we keep stricly seperated.
1 Hoku Shin Ko Ryu Jujutsu
This is a modern selfdefence system. Students
are graded from 5 kyu (yellow) to 1 kyu (brown), before tst is done to
dan level. At present the highest grade I have awarded is 2 dan. I my self
has 5 dan in this. At yellow level the student only learn how to move (tai
sabaki, tsugi ashi), get free from grips (nuki-waza), breakfalls (ukemi-waza).
At next levels we start with different types of trows and take down. No
atemi are used. Atemi are used first att shodan level. Exampel of techniques
used are: kote gaeshi, ude osae, o soto otoshi, atama otoshi, atama osae,
atama gaeshi, harai goshi etc.
2 Hontai Yoshin Ryu Jujutsu
Led by Soke Inoue, Japan. In sweden Jan-Erik
Karlsson is headinstructor. Here we train 6 katas with a total of
55 technics. I am currently 1 kyu in this art.
3 Toyama Ryu Iaido
We practice Yamaguchi-ha Toyama Ryu Iaido.
Are led in sweden by Jan-Erik Karlsson. We practise Iai-kempo, 8 cutting
exercise, first kata (Seitei Renmei Kata) which is 8 series of moves, second
(Oku No Kata) kata wich is 10 series of moves. I am currentli 1 dan in
this art.
4 Kobujutsu
In our kobujutsu we train Hontai Yoshin Ryu
weapon techniques.
Kodachi vs Odachi, 5+5 sets
Hanbo vs Odachi, 10+10 sets
Bo vs Odachi, 10 sets
Odachi vs Odachi, 5 sets
Bo vs Bo, 8 sets
I am currently 2 dan in this art.
5 kenjutsu
I trained during 1987-1997 under Kyoshi Robert
von Sandor. He was the one who brought kendo and Kyudo to sweden. He was
also president for EKF during a period. For him I trained kenjutsu 4 katas,
kodachi 3 katas, ryo-to 4 katas. He was also Ph D in Japanology and a expert
of zen. He was the most skillfull budomaster in Sweden. My own opinion.
Unfortunatelly he died 1997.
Hope this gives you an idea of wath I am doing.
Best wishes
Johan Pettersson
HONTAI YOSHIN RYU
Sensei Brian Barnes, new KIAI member, sent us
this info about sword arts included in the syllabus of Hontai Yoshin Ryu
SHODAN --Basic kamae (geidan, seigan, jodan, hasso, chudan, etc.,
and their opposites); basic cuts (kesa, shomen, yoko, tski, etc.
and variations); basic parries; movement, timing, distance, and footwork
drills; various batto; various chiburi; various noto; proper wear of
hakama, uwagi, obi, and weapon; tameshigiri; kata set: Kiso (basic eight
techniques) of Yamaguchi-ha Toyama Ryu Iaido; Kiso set of Hontai Yoshin
Ryu Iaido (five techniques)
NIDAN--Ura set of Hontai Yoshin Ryu Iaido
SANDAN--First 5 suwari-waza; Oku set of of HYR Iaido; Basic set of
Kodachi waza (5)
YONDAN--Remaining 8 suwari-waza; Ura set of Kodachi waza (5); various
kumitachi
GODAN--Oku set of Kodachi waza; Oku set of Yamaguchi-ha Toyama Ryu
Iaido; various kumitachi
Some of these requirements are flexible, and they do not necessarily
reflect any of the ongoing changes to ranking curricula at Hontai Yoshin
Ryu's honbu dojo. Due to certain traditional considerations within our
koryu, please understand that I will not be able to provide greater
detail on the above in this forum.